Documentation of artworks that can be understood as paintings.
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Painting (24), 2018, 1115,5x86,5x7cm, mixed media installation.
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Painting (23), 2018, 84x50x8,5cm,
mixed media installation.
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Painting (22), 2018, 78x62x5cm, mixed media installation.
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Painting (21), 2018, approx. 60x40x1,2cm,
mixed media installation.
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Madonna, 2018, approx. 56x50x11cm, mixed media installation.
-Painting (20), 2018, 68x188x6cm, mixed media installation.
-Painting (20), detail.
-Painting (18), 2018, 32,5x24,5cm, mixed media installation.
-Painting (17), 2018, approx. 94x80x2cm, mixed media installation.
-Painting (16), 2018, 21x29,7x1cm, mixed media installation.
-Painting (15), 2018, 40x40x2cm, mixed media installation.
-Painting (15), detail.
-Painting (14), 2018, 29,7x21x0,5cm, mixed media installation.
-Painting (13), 2018, approx 38,5x36,5cm, mixed media installation.
-Painting (13), detail.
-Painting (12), 2018, approx 30x27x2cm, mixed media installation.
-Painting (11), 2018, approx 27x18x2cm, mixed media installation.
-Painting (10), 2018, approx 54x48x4cm, mixed media installation.
-Painting (10), detail.
-Painting (9), 2018, approx 73x49x3cm, mixed media installation.
-Painting (8), 2018, approx 87x155x4cm, mixed media installation.
-Painting (8), detail.
-Painting (8), detail.
-Painting (7), 2018, approx 60x42x3,5cm, mixed media installation.
-Painting (6), 2018, approx 41x25x2cm, mixed media installation.
-Painting (5), 2016, 195x46x20cm, mixed media installation.
-Alpine, 2016, 35x27.5x1cm, natural dye in pinewood board.
-Painting (4), 2015, 40x35x5cm, cardboard, needles, thread.
-Between, 2015, 111x86cm, digitally modified photograph printed on pearl-finish paper, ripped.
-Painting (1), 2015, 77x60cm, interwoven paper, digitally modified and printed photograph.
-Building Echoes, 2014, 21x29x3cm, acrylic, recycled tape, paper.
-Building Echoes, 2017, 21x29x3cm, acrylic, recycled tape, paper, raking light.
Here painting is reconceptualised as an artwork which can be faced all at once. This deconstruction of the discipline - in which relevance is given to the specific phenomenology of paintings’ encounters rather than to its traditional means of production - is primarily used to paint.
Photo credits:
Painting (24) is by Marco B. Fontichiari; Painting (23) to Painting (6) are by Gloria Dardari; Painting (5); Alpine; Painting (4); Between; Building Echoes (2017 version) are by Luke Pickering, the exhibition view of Painting (5), the datail of Building Echoes (2014 version) is by David Guillen Gomez, Painting (1) and Building Echoes (2014 version, frontal view) are by Suzanne van der Lingen.